"The angels of winter" - from Stefano Unterthiner on Vimeo.

"The angels of winter" - from Stefano Unterthiner on Vimeo.

Sunday 28 August 2011

Bendable Bounce Card / Flag

FlashBender Bounce Card/Flag
The versatile Rogue FlashBender Bounce Card can be used either as a reflector to bounce light onto a subject, or as a flag (using either the built-in white surface, or included black fabric attachment) to shield light away from it. 

The patent pending design incorporates (1) positionable rod that allows the Bounce Card to be bent into position and held in place.

The Rogue FlashBender Bounce Card requires no separate attachment strap, nor any adhesives to be applied to the strobe.  The easy attachment belt built into this FlashBender is designed to work with all makes and models of shoe mount flash. 

The Bounce Card weighs approximately 2oz (68g), and measures approximately 5” x 9” (127mm x 228mm).

FlashBender Bounce Card

Small Positionable Reflector




FlashBender Small Positionable ReflectorLike the larger version, the Rogue FlashBender Small Positionable Reflector can be used either as a reflector to bounce light onto a subject, as a flag to shield light away from it or as a small snoot to produce a wide circle of light.  And because it’s half the size of the larger version, it’s easy to throw in a camera bag and it’s perfect for use on (or off) camera.

The patent pending design incorporates (2) positionable rods that allow the Small Reflector to be molded into position and held in place.

The Rogue FlashBender Small Positionable Reflector requires no separate attachment strap, nor any adhesives to be applied to the strobe.  The easy attachment belt built into this FlashBender is designed to work with all makes and models of shoe mount flash. 

The Small Reflector weighs approximately 3oz (92g), and measures approximately 10” x 7” (254mm x 178mm).

Large Positionable Reflector



Large FlashBender ReflectorThe versatile Rogue FlashBender Large Positionable Reflector can be used either as a reflector to bounce light onto a subject, as a flag to shield light away from it or as a snoot to produce a tight and narrow circle of light.  Because of its size, the Large Reflector is perfect for off-camera use. Please note: When not shaped into a snoot, the Large Reflector is designed to be used on a flash that's positioned at a 90 degree (vertical) angle in order to accurately reflect and bounce light towards your subject.

The patent pending design incorporates (3) positionable rods that allow the Large Reflector to be molded into position and held in place.

The Rogue FlashBender Large Positionable Reflector requires no separate attachment strap, nor any adhesives to be applied to the strobe.  The easy attachment belt built into this FlashBender is designed to work with all makes and models of shoe mount flash.

The Large Reflector weighs approximately 6oz (163g),
and measures approx. 10” x 11” (254mm x 280mm).

Flash Benders

What are Rogue Flash Benders?
FlashBender Small Reflector


Rogue FlashBenders is a system of unique shapeable light modifiers for shoe mount flash that enable unparalleled control for strobe lighting enthusiasts.   Manufactured to meet the demanding needs of location photographers, FlashBenders’ patent pending design provides complete control over the shape of the reflector. 

FlashBenders represent a new approach to controlling light. FlashBenders are positionable.  You can bend a FlashBender into almost any position, and it will assume that shape, staying in position until you reform it.  Unlike static flash diffusers and bounce reflectors, dynamic Rogue FlashBenders allow you to direct light where you want it.

FlashBenders are made from the highest quality materials, including tough abrasion-resistent nylon.  FlashBenders' white reflective surfaces are made from a durable, wipeable, synthetic fabric which has been tested for neutrality so that it won't alter the color temperature of the reflected light from a strobe.

Rogue FlashBenders fit a wide range of shoe mount flash brands, including:  Canon, Konica, Metz, Minolta, Nikon, Nissin, Olympus, Panasonic, Pentax, Quantum, Sigma,Sony and Vivitar.

Special Issues


Architecture photography, a beginners’ guide
Insightful tips for photography of stationary subjects by Michael Jenkins. You may also want to learn how to shoot bridgesstatuesbuildings and piers.
Piers1 in 50 Incredible Photography Techniques and Tutorials
Guide To Architectural Photography
Despite architecture’s diversity there are a number of simple rules that apply in most situations, or will at least get you thinking more deeply about how you can best portray a particular piece of architecture.
Bridge2 in 50 Incredible Photography Techniques and Tutorials
Fixing photos shot from airplanes
One of the cool things about getting a window seat in an airplane is that you get a unique opportunity to photograph things from a high vantage point. On the flip side, when you get home, you often find the photos look washed out and the color poor. Luckily, there is not much that Photoshop can’t recover, provided that the photographs are in focus.
Airpland-before-after-742118 in 50 Incredible Photography Techniques and Tutorials
DIY Lighting Hacks for Digital Photographers
“Lighting can be the difference between a good shot and a great one. Walk into most professional photographers’ studios, and you’ll be confronted with truckloads of lighting equipment. To the average hobby photographer, it’s enough to make your mind boggle — and make your stomach turn as you think about the cost of it all.
In this post, I’ve found 10 DIY flash and lighting hacks that put some of these lighting techniques within the grasp of the rest of us.”
Just Fab Beauty Dish 6 in 50 Incredible Photography Techniques and Tutorials
This post reviews important rules of good photography, such as Rules of Thirds, balancing elements, leading lines, symmetry and patterns, viewpoint, background, depth, framing, cropping and experimentation.
Thirds in 50 Incredible Photography Techniques and Tutorials

Panoramic Photography


panorama — or panoramic photo — is usually made by stitching several pictures taken with the same camera into one.
How To: Panoramic Photography
Making a panoramic photo really is only taking the pictures, stitching them together on your computer. The more effort and attention you put into the first step, the easier the second step will be and the more realistic your final photo will look.
Panorama in 50 Incredible Photography Techniques and Tutorials
Taking Panoramic Landscapes – The Easy Solution
Panoramas have a reputation for being hard to take. Dedicated panorama cameras are available, but unless you’ve got at least $1000 to spare, you probably can’t afford one! But you can take panoramas with any kind of camera.
Panorama-photography1 in 50 Incredible Photography Techniques and Tutorials
Digital Photography Tutorial – Panorama Stitching
“Many digital cameras, even some budget-priced pocket compacts, have a feature known as “Panorama Stitching” mode. If you haven’t experimented with it yet, it is designed to help with a particular type of photograph, or rather series of photographs, in which successive shots are taken as the camera is panned across a scene.”
Building Panoramic Images in The GIMP
Panoramic landscapes make for some amazing photos. There’s nothing like the relaxation and tranquility felt when gazing over the sweeping wilderness, save for the hassle of actually getting there. Using a digital camera, it’s possible to stitch photos together to simulate the expensive effects of a landscape filter.
The easy way is to use Pandora. Pandora is a plug-in for The GIMP that tries to match the edges of the photos, using a best guess at where one photo ends and the next begins.

Night Photography


60 Beautiful Examples Of Night Photography
60 amazing examples of night photography, created by some hard-working and dedicated photographers. Take a look at their websites and portfolios.
Jc2 in 50 Incredible Photography Techniques and Tutorials
The Nocturnes
The Nocturnes is an organization dedicated to night photography. Founded by Tim Baskerville in San Francisco in 1991, it has grown to become the premier source of information and education on night photography, as well as an international community for night photographers.
Snap6 in 50 Incredible Photography Techniques and Tutorials
Lost America night photography
Wandering the deserted backroads of the American Southwest, Troy Paiva has explored the abandoned underbelly of America since the 1970s. Since 1989 he’s been taking pictures of it… at night, by the light of the full moon.
Aw in 50 Incredible Photography Techniques and Tutorials
Long Exposure Night Photography 
This article shows you how to take pictures of night scenes with no moving objects.
473 in 50 Incredible Photography Techniques and Tutorials
Night Photography by David Baldwin
Night photography of landscapes and architecture.
“Strangers in the night”
How-to guide for night photography with point-and-shoot cameras.
Learn Night Photography
Quick and dirty guide to defining exposure time for typical night subjects.
Fir in 50 Incredible Photography Techniques and Tutorials
Night Landscape Photography
Capture stunning landscape images during the black of night.

Infrared Photography


 Incredible Near-Infrared Photos
A showcase of near-infrared photography. Near-infrared images straight out of the camera do not always look good and are usually not as dramatic and beautiful as normally captured images. Hence, a lot of post-processing is done to enhance these images.
Mark Grealish in 50 Incredible Photography Techniques and Tutorials
Infrared Photography with a Digital Camera 
Thanks to digital photography, we can take infrared pictures whenever we please, mix them with “normal” ones and see the results on the spot, tweaking the settings to our heart’s desire.
030824-354 X in 50 Incredible Photography Techniques and Tutorials
InfraRed photography
A specialized IR portal, with gallery and forum.
Irr in 50 Incredible Photography Techniques and Tutorials
LifePixel
Rich collection of manuals, how-to and do-it-yourself guides.
Snap5 in 50 Incredible Photography Techniques and Tutorials
Beyond Visible
Website about IR, UV and luminescence photography. Here you can found plenty of theory and useful information about IR adaptors for flashlights. Among the resources is a huge collection of links related to invisible light photography.
Infrared (IR)
A gallery with a number of amazing IR photos.
Ipb in 50 Incredible Photography Techniques and Tutorials
Infrared photography
Huge article with a number of useful links. Nearly complete list of IR filters and digital cameras that can be updated for IR shooting.

Motion Blur Photography


 Beautiful Motion Blur Photos
A showcase of motion blur photos. Motion blur is frequently used to show a sense of speed. You can artificially achieve this effect in a usual scene using cameras with a slow shutter speed. Also Adobe Photoshop can be used for this purpose, though sometimes images may look unnatural and unprofessional.
2492682463 907fded745 in 50 Incredible Photography Techniques and Tutorials
How to Capture Motion Blur in Photography
Capturing movement in images is something that many photographers only need to do when photographing sports or other fast-moving events.
Movement2 in 50 Incredible Photography Techniques and Tutorials
Professional-Looking Motion-Blur Effect for Your Images
“In this tutorial we’re going to show you how to create a very popular motion blur effect used in many magazine and various other professionally crafted images.”
Motion Blur6 in 50 Incredible Photography Techniques and Tutorials
Photoshop Tutorials: Create Silky Smooth Waterfalls
“In this Adobe Photoshop tutorial, we’re going to look at how to give waterfalls a silky smooth appearance, as if the photo were taken with a longer exposure, which would normally require the use of a neutral density filter.”
Image-motion-blur in 50 Incredible Photography Techniques and Tutorials
Long Exposure Photos
Long exposure can be used to create very interesting photographs. It can be used, for example, to create a bright photo in low-light conditions or to create motion blur for moving elements in a photograph

Black and White Photography


Beautiful Black and White Photography
One of the most beautiful inspirational posts on Smashing Magazine, featuring over 50 brilliant works from photographers across the globe.
65 in 50 Incredible Photography Techniques and Tutorials
5 Black and White Photography Tips
A short, but useful article by by Darren Rowse, featuring shoot in RAW, low ISO and other techniques. You may also consider reading the articles Key Ingredients for Black and White Images
Eye in 50 Incredible Photography Techniques and Tutorials
Black and White Photography Guide
Black and white photography starts before the shot is even taken. In this article you’ll find some quick tips on what to look for to ensure the perfect black and white landscape – e.g. camera settings for black and white photography and what filters are good for black and white landscapes.
Bw in 50 Incredible Photography Techniques and Tutorials
Digital Black and White
This site features professional photography articles written by Keith Cooper. It covers black/white-photography-techniques, image manipulation techniques, tools, articles and camera reviews.
The Top 5 Black & White Photography Tips
Five handy tips to get you going in the right direction: practice, focus on contrast, focus on texture, use color filters and more. If you want to learn more about the actual black and white conversion process in Photoshop, see the article 12 Ways to Make a Black & White Photo as well.
Brian in 50 Incredible Photography Techniques and Tutorials

Tilt-Shift Photography

Tilt-shift photography refers to the use of camera movements on small- and medium-format cameras; it usually requires the use of special lenses.
“Tilt-shift” actually encompasses two different types of movements: rotation of the lens relative to the image plane, called tilt, and movement of the lens parallel to the image plane, called shift. Tilt is used to control the orientation of the plane of focus (PoF), and hence the part of an image that appears sharp; it makes use of the Scheimpflug principle. Shift is used to change the line of sight while avoiding the convergence of parallel lines, as when photographing tall buildings.
Another, less cost-intensive technique called “tilt-shift miniature faking” is a process in which a photograph of a life-sized location or object is manipulated so that it looks like a photograph of a miniature-scale model.
Train in 50 Incredible Photography Techniques and Tutorials
Tilt-Shift Photography Photoshop Tutorial
This tutorial was produced using Photoshop CS2 on a PC.
8-lens-blur-settings in 50 Incredible Photography Techniques and Tutorials
Receding Hairline
With very little effort, you can take existing photographs of everyday scenes and make them look like miniature models.
Page14 6 in 50 Incredible Photography Techniques and Tutorials
Free Auto Tilt-Shift Photoshop Action
Plug-and-play solution for preparing your photos.

High Speed Photography


This post is supposed to provide you with some inspiration of what can be done with high-speed photography. It also showcases some truly stunning slow-motion videos.
Heart in 50 Incredible Photography Techniques and Tutorials
DIY – High Speed Photography at Home
This guide describes how to capture super fast movements using ordinary camera gear and a little home made electronics. It describes the setup used, the common problems and what can be done to solve them.
Sm in 50 Incredible Photography Techniques and Tutorials
Home-Made High Speed Photography
Pictures of high-speed events such as popping balloons, breaking glass, and splashing liquids reveal interesting structures not visible to the naked eye. With this guide you can take your own high-speed photos to captures these ephemeral events. A very detailed tutorial.
Setup2 in 50 Incredible Photography Techniques and Tutorials
Quick guide to Simple High Speed Macro Photography
This is a quick tutorial to get you started with high speed photography. There are tons of other resources on the web, but most of them are advanced and require special equipment. This one is simple and basic.
Water in 50 Incredible Photography Techniques and Tutorials

Wednesday 24 August 2011

Crittercam


          Greg Marshall: inventor of  Crittercam!!Photo: Greg Marshall with a tortoise
Crittercam is a small package of instruments including a camera that can be attached with wild animals to study its behaviour in the wild. Crittercam was invented by NATIONAL GEOGRAPHIC marine biologist Greg Marshall in 1986.Since then it has been employed in studies on over 40 marine and terrestrial animals.
The smallest animal yet to carry Crittercam is the Emperor Penguin. Information and footage from Crittercam was used in the OSCAR-winning documentary March of Penguins.

Critter Cam 

Sunday 14 August 2011

Afghanistan’s Highest Mountain Reopened to Climbers



1. Team climbing (ASimms-WCS)
The trail to summit of Noshaq now open to mountaineers as the Wildlife Conservation Society and others anticipate return of tourism to the mountain. Photograph by Anthony Simms/WCS Afghanistan Program
Closed off from the outside world for decades due to regional insecurity, Afghanistan’s highest mountain, Mount Noshaq, is once again accessible to the mountaineering community, according to the Wildlife Conservation Society, Australian Geographic Outdoor, and other groups.
Located in the Hindu Kush Mountains of the Wakhan Corridor, an isolated panhandle of land connecting Afghanistan with China, Mount Noshaq stands at 7,492 meters (24,580 feet) in height. The region is home to many species of wildlife, including Marco Polo sheep, urial, ibex, and snow leopards.
The reopening of Mount Noshaq was commemorated by a recent mountain climbing expedition involving Anthony Simms, the Wildlife Conservation Society’s Afghanistan Program Technical Advisor, and supported by The North Face/AG Outdoor Adventure Grant for 2011. Launched on July 25th, the expedition reached the summit of Noshaq on August 4th. The other members included: Tim Wood, who became the first Australian ever to reach the summit; Aziz Beg, who became only the third Afghan national to reach the summit; Abdul Hakim, a local ranger trained by WCS; and Malang Daria.
The expedition organized to help raise awareness of the beauty of Afghanistan’s natural resources and usher in a return of the tourism industry to this war-torn nation.
“This expedition marks the revival of a once popular tourist site that was forgotten during the country’s political unrest,” said Peter Zahler, Deputy Director of WCS’s Asia Program. “Despite the turmoil that continues in some parts of the country, Wakhan is just one of a number of areas in Afghanistan that are very safe from a security standpoint, and where tourism is already providing jobs and improved livelihoods for local people while providing an incentive to protect the country’s fragile environment and wildlife.”
Afghanistan was once a major draw for international tourists through the 1970s. After the 1979 Soviet invasion of Afghanistan, mountaineers stopped visiting Noshaq because of the dangerous political climate. The laying of landmines in Noshaq Valley during the country’s civil war in the 1990s further isolated this enormous mountain. In recent months, however, with the support of USAID (United States Agency for International Development), the trail to Noshaq base camp has been repaired by WCS and local communities and now provides safe passage around the minefields. Combined with improved security conditions in the district, Noshaq is now again open for climbing.
The reopening of Noshaq is one of many projects undertaken by WCS to help the government of Afghanistan promote and protect its natural wonders. In 2009, the government gazetted the country’s first national park, Band-e-Amir, established with technical assistance from WCS’s Afghanistan Program. Since its creation, Band-e-Amir has become a significant draw for both national and international tourists, averaging some 4,000 visitors every Friday (the first day of the weekend in Afghanistan). In 2011, WCS researchers working in the Bamyan Plateau discovered another potential tourist destination: the Hazarchishma Natural Bridge, a massive natural arch measuring more than 200 feet across its base. Hazarchishma is the 12th largest natural arch in the world.
With funding from USAID, WCS has been working since 2006 with more than 55 local communities across Afghanistan to better manage their natural resources, helping them conserve wildlife while improving their livelihoods. WCS now works with every community found in the Wakhan Corridor, building community governance structures for natural resource management and working to create a suite of co-managed protected areas in the region. WCS is helping to study and conserve Afghanistan’s abundant wildlife; recent surveys have revealed healthy populations of snow leopards in the region. In addition, WCS has trained 59 community rangers to monitor not only snow leopards but other species including Marco Polo sheep and ibex while enforcing laws against poaching. WCS has also initiated the construction of predator-proof livestock corrals and a livestock insurance program that compensates shepherds, though initial WCS research shows that surprisingly few livestock fall to predators in the region. Conservation education is now occurring in every school in the Wakhan region, and WCS has been providing English language lessons and ecotourism job training for local villagers in expectation of the increase in mountaineering and adventure tourism.

A Monkey That Knows No Bounds


Langur monkey jumping






India’s leaping langurs can be holy, helpful, or even pesky.

By Jennifer S. Holland
Photograph by Stefano Unterthiner
In India monkey business takes on a whole new meaning. Hanuman langurs are trained in New Delhi to scare off aggressive rhesus monkeys and other wild animals that might roam into public spaces and cause mischief. When the city hosted the 2010 Commonwealth Games last October, its municipal council used 38 langurs to help with critter control.
These primates are valued as more than security guards. Hindus revere them as a symbol of the monkey deity Hanuman, whose simian army helped rescue Sita, the god Rama's wife, from a demon king, according to a Sanskrit epic. Langurs' black faces and extremities call to mind the burns that Hanuman suffered in the course of his heroism.
The lifestyle of the monkeys reflects this state of grace. In the city of Jodhpur, at the edge of the Thar, or Great Indian, Desert, some 2,100 wild langurs regularly leap into human society to sample its goods. Local Hindus share picnics in parks and turn shrines into buffets of offerings for the monkeys. Some let the holy beasts glean from their gardens.
That's a nice change of pace from life in the Thar, where sizzling heat and scant moisture make survival a challenge, and the monkeys must scrounge for plants and occasional insects to eat. Since most langurs are tree dwellers, these often scamper high on the desert cliffs or perch on nearby rooftops.
But the human population is growing fast in the region these days, and people may be tempted to retaliate if the monkeys' garden incursions turn into full-fledged crop raids. Even animals this beloved could wear out their welcome.

Saturday 13 August 2011

Science and forensics



5×7 in. unretouched photograph of theWright brothers' first flight, 1903.
The camera has a long and distinguished history as a means of recording phenomena from the first use by Daguerre and Fox-Talbot, such as astronomical events (eclipses for example), small creatures and plants when the camera was attached to the eyepiece of microscopes (inphotomicroscopy) and for macro photography of larger specimens. The camera also proved useful in recording crime scenes and the scenes of accidents, such as the Wootton bridge collapse in 1861. The methods used in analysing photographs for use in legal cases are collectively known asforensic photography.
By 1853, Charles Brooke had invented a technology for the automatic registration of instruments by photography. These instruments included barometersthermometerspsychrometers, andmagnetometers, which recorded their readings by means of an automated photographic process.
Photography has become ubiquitous in recording events and data in science and engineering, and at crime scenes or accident scenes. The method has been much extended by using other wavelengths, such as infrared photography and ultraviolet photography, as well as spectroscopy. Those methods were first used in the Victorian era and developed much further since that time.

DIGITAL PHOTOGRAPHY




A handheld digital cameraCanon Ixusclass.

The Nikon D1, the first DSLR to truly compete with, and begin to replace, film cameras in the professional photojournalism and sports photography fields.

Nikon DSLR and scanner, which converts film images to digital

Sony Ericsson K800i. Such Camera phones, combined with photo sharing sites, have led to a new kind of social photography.
Traditional photography burdened photographers working at remote locations without easy access to processing facilities, and competition from television pressured photographers to deliver images to newspapers with greater speed. Photo journalists at remote locations often carried miniature photo labs and a means of transmitting images through telephone lines. In 1981, Sony unveiled the first consumer camera to use a charge-coupled device for imaging, eliminating the need for film: the Sony Mavica. While the Mavica saved images to disk, the images were displayed on television, and the camera was not fully digital. In 1991, Kodak unveiled the DCS 100, the first commercially available digital single lens reflex camera. Although its high cost precluded uses other than photojournalism and professional photography, commercial digital photography was born.
Manual shutter control and exposuresettings can achieve unusual results.
Digital imaging uses an electronic image sensor to record the image as a set of electronic data rather than as chemical changes on film. The primary difference between digital and chemical photography is that chemical photography resists photo manipulation because it involves film andphotographic paper, while digital imaging is a highly manipulative medium. This difference allows for a degree of image post-processing that is comparatively difficult in film-based photography and permits different communicative potentials and applications.
Digital imaging has raised ethical concerns because of the ease of manipulating digital photographs in post-processing. Many photojournalists have declared they will not crop their pictures, or are forbidden from combining elements of multiple photos to make "photomontages," passing them as "real" photographs. Today's technology has made photo editing relatively simple for even the novice photographer. However, recent changes of in-camera processing allows digital fingerprinting of photos to detect tampering for purposes of forensic photography.
Digital point-and-shoot cameras have become widespread consumer products, outselling film cameras, and including new features such as video and audio recording. Kodak announced in January 2004 that it would no longer sell reloadable 35 mm cameras in western EuropeCanadaand the United States after the end of that year. Kodak was at that time a minor player in the reloadable film cameras market. In January 2006, Nikon followed suit and announced that they will stop the production of all but two models of their film cameras: the low-end Nikon FM10, and the high-end Nikon F6. On May 25, 2006, Canon announced they will stop developing new film SLR cameras. Though most new camera designs are now digital, a new 6x6cm/6x7cm medium format film camera was introduced in 2008 in a cooperation between Fuji and Voigtländer.
According to a survey made by Kodak in 2007 when the majority of photography was already digital, 75 percent of professional photographers say they will continue to use film, even though some embrace digital.
According to the U.S. survey results, more than two-thirds (68 percent) of professionalphotographers prefer the results of film to those of digital for certain applications including:
  • film’s superiority in capturing more information on medium and large format films (48 percent);
  • creating a traditional photographic look (48 percent);
  • capturing shadow and highlighting details (45 percent);
  • the wide exposure latitude of film (42 percent); and
  • archival storage (38 percent)